![]() Now, if I click that, you'll see, suddenly, I get my negative shapes in here, as I would expect. Okay, and this is the even-odd fill rule. So this is the non-zero winding fill rule here. And if you want to dig into it, go ahead and do that in your own time. And that's called the non-zero winding rule, which is a great phrase to throw out when you're in company of novice Illustrator users, 'cause it sounds really, really good, although it's not. Okay, and what's happening here is, at the moment, it's using the default rule in Illustrator for combining paths. With other panels, you would find it here in the Window menu. And to access them, you need to use this, the Attributes panel, which is one of those that really is more at the expert end, quite often, usage for this. Well, it does, but there are two rules in Illustrator that determine how this is going to work on this path. Okay, what I'm going to do is come out of that, pick up this smaller shape here, cut that to the clipboard, double-click, and then paste that in, take on the color again, but it doesn't quite work that way. And you might think, okay, that makes perfect sense then that that is positive, so positive, negative, positive. Now, you might well think, okay, if we got another shape, so I'll just cut this one to the clipboard, double-click to go into isolation mode, and then paste. And this is where it starts to get really fun because the compound paths have positive and negative areas. ![]() Then I'm going to take the small circle here and bring that in like so on top of this shape. Now, I'm going to double-click onto this shape to go into isolation mode. And you'll see that, differently to the Pathfinder, which took the top fill color and applied it to both, this has taken the bottom fill color here. Okay, that would be Control + 8 on Windows. Let me select the two objects here, okay, and I'll join them together, making a compound path using Command + 8. But they're slightly more complex in a couple of ways. That's somewhere where you need lots of compound paths. And that's required for some processes such as, for example, cutting vinyl for signage. So that's joining things together, still making a single path. And what we're going to look at rather than the Pathfinders, which is in the next movie here, what we're going to do is look at compound paths, a slightly different thing. I'll undo that a couple of times to move them separately apart. And you see, they become one new path, like so. And in my Pathfinder options here, I'm going to choose click to unite. I'm going to bring this smaller circle on top of this larger circle. And I'll just show you what that is with this file here. ![]() And the most popular way of doing that is using compound shapes. And with that, you take different shapes, and you combine them in some way, either by adding them together or subtracting them from each other to create whole new things. I know this was months ago, but I thought I would contribute.- Drawing by construction is one of the most popular drawing methods in Illustrator. You don't have to Unite I just prefer this because I hate extra paths. This gives you a solid one color graphic and won't cause the shift you're seeing above. Make sure all remaining orange is selected and Unite (pathfinder option) ![]() Show all (option command 3) if you have more things hidden they will all show with this so sometimes I work in the layers to hide and show elements Magic wand settings at 0 across the board, I select the orangeĭirect Select the all the remaining bits (DON'T do a Select All or use your black selection tool as this will delete everything) and delete them (if there are no strokes you'll get no box) Object>Expand-I never change the expand options and hit okay. So if you are looking at that chicken above I would want only the orange in the file. Customers never send in one color art so I have to create this. I do foil stamping work at the company I work for.
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